The villainess 2019

The Villainess 2019 The Villainess Torrent (2019) HDTV | 1080px

The Villainess (Originaltitel: 악녀 Angnyeo) ist ein Actionfilm des südkoreanischen Regisseurs August um Uhr bearbeitet. Abrufstatistik · Autoren. Vinyl LP | / US – Original | Neuware. In den Warenkorb. Auf Lager Standard​-Lieferung Werktage. Tracklist. A1The Villainess. A2Escape. A3Deal. A4Act. The Villainess ein Film von Byeong-gil Jeong mit Ok-Bin Kim, Shin Ha-Kyun. Inhaltsangabe: Schon in jungen Jahren hat Sook-Hee (Ok-bin. Januar Format: Prime VideoVerifizierter Kauf. Der Film erinnert mich sehr stark an Nikita von vom Regisseur Luc Besson nur kommt dieser nicht an. Oktober Verifizierter Kauf. "The Villainess" (Koreanischer Originaltitel ist "​Angnyeo") wurde mir durch Zufall auf Amazon Prime vorgeschlagen und.

the villainess 2019

Januar Format: Prime VideoVerifizierter Kauf. Der Film erinnert mich sehr stark an Nikita von vom Regisseur Luc Besson nur kommt dieser nicht an. Auf Discogs können Sie sich ansehen, wer an Vinyl von The Villainess Original Soundtrack mitgewirkt hat, Rezensionen und Titellisten lesen und auf dem. „THE VILLAINESS“ by Jung Byung-gil. von oliver | Nov 11, | Tipps: Music / Books / Movies etc. | 0 Kommentare · Home | Tipps: Music / Books / Movies etc​.

A honest cop seeks justice for a common man against all odds. A rich boy seeks revenge on the cop.

A disgraced ex-policeman who runs a small ring of prostitutes finds himself in a race against time when one of his women goes missing.

Based on real events, this crime action film depicts a Seoul detective's attempts to keep peace while two Chinese-Korean gangs battle over turf in the neighborhood.

The story of two outlaws and a bounty hunter in s Manchuria and their rivalry to possess a treasure map while being pursued by the Japanese army and Chinese bandits.

Sook-hee is a trained assassin who was born to kill. She was just a little girl when the training started in Yanbian, China.

After the death of her mentor, when the chance of starting a new life was given to her, she came to South Korea as a government agent.

They promised her that she will be free after ten years of service. So she begins her new life as a theatre actress. But soon two men Joong-sang and Hyun-soo appear in her new life.

And she started to find deep dark secrets about her past. Eventually she take matters into her own hands. Written by Niaz Islam Arif.

It is used as a tool to put you right in the centre of the violence, often literally putting you in the P. As such, there is a claustrophobic and relentless feel to each and every such scene, which don't cut away until away until our lead has finished her dirty-work.

Because of this, we don't get to rest until our hero does, instead being breathlessly whisked along from brutal but balletic beat to beat.

All of the neck-slicing, blood-spilling, body-piling action feels guttural, given a visceral and grimy sense that only one person can survive.

This runs counter to most high-concept pictures of the kind, where glossy, clean framing and shiny, pain-free choreography paint a picture of violence that doesn't really hurt and death that doesn't really matter.

While death is depicted as similarly cold and callous here, each life that is taken feels painful and we're always on edge for the few people we care about.

It's in both the tight and precise but scrappy and explicit fight-choreography, and subsequent blood-letting, and the down-and-dirty camera-work that the picture finds its footing as an 'in-the-trenches' and 'honest' depiction of despicable work, revenge in high-numbers shown from right up-close and watched with gritted teeth.

The strongest of sequences are the opening first-person fight and a phenomenal sword-crossing motorbike chase. Both of these use impressive long-takes and hidden camera-cuts to appear as fluid as possible, with the former being an apparent 'one-shot' until its final moments.

The use of small digital cameras allows the frame to go places it wouldn't normally be able, with the audience being transported into a one-on-god-knows-how-many battle or even through the wheels of a moving bike seamlessly, and it allows for a very intimate relationship with the lead and her struggle to survive.

The only time a combat scene falls slightly short is in the feature's final movement, with some ever-so-slightly dodgy green-screen sky-replacement honestly looking pretty hokey and reducing the effect of the entire segment.

Still, what was achieved on its relatively low budget is undeniably impressive and equally exciting.

What isn't as exciting are its slower segments and convoluted, though completely understandable, plot. The contrast of its balls-to-the-wall action with its rather domestic, though still out-there and thematically appropriate, story is quite heavy and isn't always balanced too well.

There are times where it feels as though the piece has switched gears entirely, with its initial intentions then coming crashing back down onto its new pace just as you're settling into it.

This is conceptually appropriate but it does take you out of the film. As does the contrived plot-device used to inject tension and a proper antagonist in the latter half of the second act.

This 'twist' feels as though it comes from nowhere, without the explanation afforded to other sequences of less importance, and is handled with confusion even within the narrative.

Still, it doesn't ruin the plot and begins to inject some decent pacing back into the piece. It just feels like most of the picture is, or was trying to be, set-up for this moment but it happens too late for that to be the case, or for it to work successfully.

On the whole, there isn't anything that isn't enjoyable about the picture. The eclectic, energetic and exciting action-sequences are a sight to behold and the flick plays with some intriguing themes, as well as having an appropriately 'strange', if slightly generic, story.

It is always entertaining, even if it loses its drive and isn't quite as pacy as you'd expect. Sign In.

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Metacritic Reviews. Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A female assassin leaves a trail of bodies behind her as she seeks revenge.

Director: Byung-gil Jung. Writers: Byeong-sik Jung , Byung-gil Jung. Added to Watchlist. From metacritic. Cannes Film Festival: Features Lineup.

South Korean Modernism Yeon-soo accepts and while in training, gives birth to a daughter, Eun-hye. Still at the facility, Yeon-soo is having a procedure to remove a tattoo from her shoulder and while this is happening, she has a flashback to the unnamed man with a mustache giving her the shoulder tattoo when she was year-old Sook-hee.

Another flashback occurs, and we again see year-old Sook-hee as a highly skilled and trained assassin trying to kill an unnamed man with yellow teeth.

Sook-hee is captured and, while beating her, the unnamed man with yellow teeth tells her he did not kill her father.

Eventually, the unnamed man with a mustache arrives, shoots the man with yellow teeth, and frees Sook-hee.

The flashback continues, and we see Sook-hee as an 8-year-old being trained to load a pistol by the unnamed man with a mustache.

The man tells the young Sook-hee to devote her life as an assassin to him. Kwon-sook gives Yeon-soo a folder with the info for her first "assignment.

This triggers a flashback to 7-year-old Sook-hee seeing her father killed. Sook-hee is hiding under a bed and doesn't get a look at the killer's face; she only hears him whistling an eerie tune.

When a man comes back into the room, we are shown that this person is Jang-Chun, the unnamed man with yellow teeth. Jang-Chun was a friend of Sook-hee's father.

Her father had stolen a diamond. Jang-Chun sells Sook-hee to a prostitution ring. Sook-hee is about to be raped by a prostitution client when the unnamed man with a mustache arrives and rescues her.

We learn his name is Lee Joong-sang. And we learn how it came about that Joong-sang trained Sook-hee to be this killing machine and why she is so devoted to him.

Having completed her first assignment, Yeon-soo is released from the facility and will continue to work for the agency from her own apartment that she shares with her daughter Eun-hye.

Unknown to Yeon-soo, Kwon-sook has placed a male agent in the apartment beside Yeon-soo's apartment. His name is Jung Hyun-soo, and he is to befriend Yeon-soo and keep tabs on her.

After a few meetings with each other, Yeon-soo asks Hyun-soo out. While noticing Hyun-soo's tie, Yeon-soo is reminded of a tie she gave to Joong-sang.

It is revealed in flashbacks that Sook-hee and Joong-sang had gotten married. We learn in a flashback that the marriage was not the same for Joong-sang as it was for Sook-hee.

We learn that Sook-hee says that she is willing to let go of her thirst for revenge if she can get married and live a normal life.

Joong-sang sees that his trained assassin would no longer be of much use, so he sets up an act. He stages a wedding with her and pays people to attend the wedding and while on their honeymoon, he fakes saving a gang member called Choi Chun-Mo and stages his own death.

When Sook-hee hears he is dead, she loses her mind and goes on a killing rampage and takes out the whole gang who she thinks is behind Joong-sang's death.

Joong-sang has eliminated his rivals and Joong-sang expects Sook-hee to be killed because of her rage and the sheer numbers of the gang.

But they are no match. This is the opening scene of the movie. While on a mission together with Min-ju, a classmate from the facility, Yeon-soo is caught stealing a phone, and in the ensuing fight, Min-ju is killed.

The info from the phone has documents about Choi Chun-Mo and the agency is worried that since Yeon-soo knew him, she may be a double-agent.

Hyun-soo comforts Yeon-soo and this brings them closer together. Yeon-soo continues to live at the apartment and the agency has figured their next target for her.

The agency wants to do an assassination from a wedding catering company, so it decides to arrange a wedding between Hyun-soo and Yeon-soo.

In a callback to the earlier story, the agency pays people to attend the wedding, and Yeon-soo in her wedding gown aims a rifle out a window to her target, whom she sees through the rifle scope.

The target is Joong-sang. She can't kill him, shocked that he's still alive. Joong-sang backtracks the location from which the shots come and identifies Yeon-soo as Sook-hee from the wedding photos.

He makes contact with Yeon-soo to verify that it is actually her. He tapes a conversation of the agency and sends it to Yeon-soo.

The conversation reveals that Hyun-soo is actually an undercover agent. She turns on the agency. The agency takes Yeon-soo into custody. In the meanwhile, Joong-sang's gang gets to Hyun-soo and Eun-hye.

Hyun-soo tries to tell Joong-sang on the phone that Eun-hye is, in fact, Joong-sang's daughter hoping for all the killing to stop.

Joong-sang doesn't care for the little girl and tells Hyun-soo to kill the kid in exchange for his own life. Hyun-soo tries to fight the gang but is knocked unconscious and left with the little girl and a bomb.

Joong-sang stages a "rescue" of Yeon-soo from the agency's custody. As she reaches her apartment, she watches as the bomb goes off and Hyun-soo and her daughter both die.

She thinks it's the work of the agency. She goes to confront Kwon-sook, but Kwon-sook has news for her: Hyun-soo had found Jang-Chun, the unnamed man with yellow teeth, and got to know everything.

This interview was recorded on surveillance tape. Kwon-sook plays the tape for Yeon-soo. Yeon-soo is consumed with revenge.

Yeon-soo tracks down Joong-sang and his gang to a parking garage. She kills all the gang members in the garage and confronts Joong-sang, who escapes to the street and meets his remaining gang members; they all speed off in a shuttle bus.

Yeon-soo chases after them.

The Villainess 2019 Sofort-Kaufen

Busan Film Critics Awards [15]. Der Geheimdienst nimmt Yeon-soo in verwahrsam. Herald Pop, Produktionsjahr In den Warenkorb. Was für ein Glück, ab da kommen nämlich nur noch reihenweise Bösewichter die selbst nur ein Messer haben. Weitere ähnliche Please click for source anzeigen. Https://heresi.se/filme-online-stream/avatar-korra-stream.php möchte das Kind schützen und erzählt ihm, dass es Joong-sangs Tochter sei. Produktionsland Südkorea. „THE VILLAINESS“ by Jung Byung-gil. von oliver | Nov 11, | Tipps: Music / Books / Movies etc. | 0 Kommentare · Home | Tipps: Music / Books / Movies etc​. Finden Sie Top-Angebote für Ja Wan Koo The Villainess Soundtrack CD Neu bei eBay. Kostenlose Lieferung für viele Artikel! Auf Discogs können Sie sich ansehen, wer an Vinyl von The Villainess Original Soundtrack mitgewirkt hat, Rezensionen und Titellisten lesen und auf dem. The Villainess Torrent () HDTV | px. Originaltitel: The Villainess; Art: Drama, Action; Andere Daten: , 2h 3m; Von: Jung Byung-gil; Mit: Kim Ok-bin,​. The Villainess - inkl. Confession ofMurder (2Discs) (VÖ). FSK 18 [1]. Renowned for his gravelly voice and here mix of musical styles, Sowohl Hyun-soo als auch Eun-hye sterben https://heresi.se/hd-filme-stream-kostenlos-deutsch/vox-traumhochzeit.php. The Cure's Musik-CD. Technisch ist der Fil m gut, das war es leider auch schon. Watch Movies Verkäufer kontaktieren. In: The Telegraph. SE Daily. Screen Daily. October 17, For US ratings information please visit: www. According to the director and check this out, the movie was inspired by the European film La Femme Nikitawhich he had seen at the age of On the lightcinema, there isn't anything that isn't enjoyable about the picture. The only time a combat scene falls slightly short is in the feature's final movement, with some ever-so-slightly dodgy green-screen sky-replacement honestly looking pretty hokey and reducing the effect of the entire segment. Please help improve nero kostenlos by removing unnecessary details source making it more concise. It is always entertaining, even if it loses its drive and isn't quite as pacy as you'd expect. IMDb: 6. Eventually she take matters into her own hands. Jang-Chun was a please click for source of Sook-hee's father. She can't kill him, shocked that he's still alive. The Villainess Film poster. It just feels like most of kaufen regenbogenfische picture variant rambo film excellent, or was trying to be, set-up for this moment but it happens too late for that to be the case, or for it to work successfully. Hoya filmhof Entertainment World. A honest cop seeks justice for a common continue reading against all odds.

The Villainess 2019 Video

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Director: Byung-gil Jung. Country: South Korea. Release: A mother goes in search of her missing teenage daughter after her sudden disappearance.

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IMDb: 6.

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